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¡what no one says!
3 Film Masterclasses

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LEARN TIPS AND GET ANSWERS TO THE QUESTIONS NO ONE ELSE WILL GIVE YOU FROM SEASONED FILMMAKERS..

DFROM CASTING TO ASSISTANT DIRECTING by Santiago Porras

Date: March 1st

Time: 19:00 - 20:30

  • Approaching the project, the script, and its director.

  • How to visualize a shoot from the casting stage and seamlessly transition into assistant directing.

  • The relationship on set between the Assistant Director, director, and actors.

SCRIPTWRITING FOR FILM by Fernando Iriarte

Date: March 2nd

Time: 19:00 - 20:30

  • Building the protagonist and the elements that make them unique for the story being told.

  • The antagonistic force as a form of story motivation.

  • The importance of structure to turn narration into an experience.

LPRODUCTION IN DEVELOPMENT by Paola Andrea Pérez

Date: March 3rd

Time: 19:00 - 20:30

  • We will explore the stages of development and their implications.

  • We will delve into where ideas come from and how we must protect them.

  • The producer-director-writer relationship.

  • The work during development.

PRICE: $40,000 COP (includes all 3 masterclasses)

THE MONEY RAISED WILL GO TO THE CROWDFUNDING CAMPAIGN OF OUR SHORT FILM DELIRO.

Instructors:

SANTIAGO PORRAS

Assistant Director / Casting Director

I have worked as an assistant director and casting director on Un Varón (Fabián Hernández, in development) and Litigante (Franco Lolli, 2019). As Assistant Director on Memoria (Apichatpong Weerasethakul, 2021), and as casting director on Horizonte (César Acevedo, in development).

FERNANDO IRIARTE

Screenwriter / Director

Fernando is a screenwriting professor at Columbia University in New York. He also works as a staff writer for Fidelio Films. He produced the short film Tropicalía by Rodney Llaverías (IFFR, 2022). Reader for the Sundance Lab.

PAOLA ANDREA PÉREZ NIETO

Executive Producer / Line Producer

CEO of Inercia Películas. Some of the films she has worked on as a producer are Land and Shade (César Acevedo, Caméra d'Or at Cannes 2015) and Violence (Jorge Forero, 2015). She is also the executive producer of We Are Calentura (Jorge Navas, 2018) and Memento Mori (Fernando López Cardona, post-production). She worked as a line producer on Memoria by Apichatpong Weerasethakul (Jury Prize at Cannes 2021). 

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